Goblin moy...

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Hi my name is Harry I'm 18 years old, i'm at Bournemouth University doing my first year of Fine art, I love to draw, buy clothes, watch films, read arty/photography/fashiony magazines, read books, take photos and listen to music. This is what I like; Crystal Castles, Vampire Weekend, White Lies, The Beatles, Fleet Foxes, The xx, The Drums, White ies, Darwin Deez, Florence and the Machine, Jack Penate, The Vaccines, Santogold, The Smiths, Gotye, Young the Giant, Foals and loads more. What do you like?

sonjabarbaric:

Michelle Hamer, hand-stitched pixelated versions of photographs of urban spaces

sonjabarbaric:

Michelle Hamerhand-stitched pixelated versions of photographs of urban spaces

(via ka-c-ti)

— 13 hours ago with 10042 notes

architizer:

Makoko Floating School is a prototype floating structure built for the historic water community of Makoko, located on a lagoon in the heart of Nigeria’s largest city, Lagos. As a pilot project, it has taken an innovative approach by addressing the community’s social and physical needs in view of the impact of climate change and a rapidly urbanizing African context.

Read more.

(via darksilenceinsuburbia)

— 18 hours ago with 273 notes
voluptama:

the charming man of steal
by Butcher Billy

voluptama:

the charming man of steal

by Butcher Billy

(Source: The Post-Punk )

— 23 hours ago with 18 notes
humans-of-pdx:

"I don’t really like people, but it’s difficult to get comfortable with loneliness. I mean, I’ve tried to have friends, but it never works out. And I’m tired of going out alone. I’m ok staying in at my place. It smells good when I burn incense and I have a lot of records and I can just play video games.” The bus she was waiting for arrived. “Do you need to go?” "It’s ok. Another one will come in ten minutes… But then, you know, sometimes I just want a partner— a relationship. It would be nice to share this part of my life with someone. I’ve been single for years, and you know, there are people I could call if I wanted to. But people always end up saying things that rub me the wrong way, or if I open up to them, suddenly they want me to be their best friend, and I don’t want people to have expectations of me. I don’t want to waste anyone else’s time if I’m not interested in being close to them." Another bus came and went while she told me about the loneliness, wiping tears from her eyes. Then another. “I’m sorry, I’ve talked too long.” "It’s really ok. Sometimes we just need to connect." "Yeah, I forget that sometimes."

humans-of-pdx:


"I don’t really like people, but it’s difficult to get comfortable with loneliness. I mean, I’ve tried to have friends, but it never works out. And I’m tired of going out alone. I’m ok staying in at my place. It smells good when I burn incense and I have a lot of records and I can just play video games.” 

The bus she was waiting for arrived. “Do you need to go?” 

"It’s ok. Another one will come in ten minutes… But then, you know, sometimes I just want a partner— a relationship. It would be nice to share this part of my life with someone. I’ve been single for years, and you know, there are people I could call if I wanted to. But people always end up saying things that rub me the wrong way, or if I open up to them, suddenly they want me to be their best friend, and I don’t want people to have expectations of me. I don’t want to waste anyone else’s time if I’m not interested in being close to them." 

Another bus came and went while she told me about the loneliness, wiping tears from her eyes. Then another. “I’m sorry, I’ve talked too long.” 

"It’s really ok. Sometimes we just need to connect." 

"Yeah, I forget that sometimes."

(via amorphous-discontent)

— 1 day ago with 11337 notes
solsetur:

Roger Ackling, Five Sunsets in One Hour, 1978

To obtain the scorched ‘sun lines’ for T03562, Ackling stopped at given intervals during his walk up Chillerton Down and sat with his back to the setting sun, holding up a magnifying glass at an angle, so as to deflect the rays on to his board. He described these five stages as ‘sunsets’ in the work because each time the sun sank below his immediate horizon line, he had to climb higher to catch sight of it again and to ‘catch’ it in his glass. Thus his ascent paralleled the sun’s descent. It seemed to him that the sun set five times as it sank from view and he felt as though he was resurrecting it each time he climbed further up the hill.
During the period when he made T03562, Ackling based all his work on the time scale either of one minute or of one hour. Here he used (as he still does) an ordinary magnifying glass which he trained against a special coarse pulp board for exactly one minute at each stopping point. As he climbed higher and the sun sank, its rays naturally became weaker and, in consequence, the lines become shorter towards the top of the card. The progressive shortening of the lines creates a curve which relates formally but also actually to the curve of the Down; Ackling has also compared it to the curve of the earth’s surface, which finally obscures the setting sun.
He has said that for him such works are very specific, having to do with particular times, days, seasons and specific locations, whether made in Great Britain or abroad (he frequently travels abroad to work). In T03562 and other works on card, the card remains the constant factor and it is the combination of hand and lens which determines the length and strength of the lines recorded.
Ackling points out that T03562 also records the wind conditions on the day it was made. The degree and angle of the smudging around each line indicates that the wind was stronger at 6.50pm but had weakened and changed direction by 7.15pm.

solsetur:

Roger Ackling, Five Sunsets in One Hour, 1978

To obtain the scorched ‘sun lines’ for T03562, Ackling stopped at given intervals during his walk up Chillerton Down and sat with his back to the setting sun, holding up a magnifying glass at an angle, so as to deflect the rays on to his board. He described these five stages as ‘sunsets’ in the work because each time the sun sank below his immediate horizon line, he had to climb higher to catch sight of it again and to ‘catch’ it in his glass. Thus his ascent paralleled the sun’s descent. It seemed to him that the sun set five times as it sank from view and he felt as though he was resurrecting it each time he climbed further up the hill.

During the period when he made T03562, Ackling based all his work on the time scale either of one minute or of one hour. Here he used (as he still does) an ordinary magnifying glass which he trained against a special coarse pulp board for exactly one minute at each stopping point. As he climbed higher and the sun sank, its rays naturally became weaker and, in consequence, the lines become shorter towards the top of the card. The progressive shortening of the lines creates a curve which relates formally but also actually to the curve of the Down; Ackling has also compared it to the curve of the earth’s surface, which finally obscures the setting sun.

He has said that for him such works are very specific, having to do with particular times, days, seasons and specific locations, whether made in Great Britain or abroad (he frequently travels abroad to work). In T03562 and other works on card, the card remains the constant factor and it is the combination of hand and lens which determines the length and strength of the lines recorded.

Ackling points out that T03562 also records the wind conditions on the day it was made. The degree and angle of the smudging around each line indicates that the wind was stronger at 6.50pm but had weakened and changed direction by 7.15pm.

— 1 day ago with 29 notes
tsparks:

tortle:

catbuttcat:

rhamphotheca:

State of Idaho plans to poison up to 4,000 Common Ravens. 
Justification: Ravens prey on the eggs of the imperiled Greater Sage-Grouse. Yet of 19 reasons for the grouse’s declining numbers, predation by other wildlife comes in at #12. Providing protected areas and requiring sustainable land management are the most important ways to conserve the grouse, not killing avian predators. 
Join petition by Golden Eagle Audubon Society: Sign the petition here.
(via: American Bird Conservancy)

It’s really close, please sign guys!

killing one species to ‘protect’ another is a horrible approach to anything. Have people not learned by now? And how many other animals would this inevitably poison? Ones that would also not only ingest the poison, but the poisoned bird carcasses.What is wrong with people.

Crows and Ravens hold a sacred position in the Mythos of North America, they should be honored and revered not murdered. 

tsparks:

tortle:

catbuttcat:

rhamphotheca:

State of Idaho plans to poison up to 4,000 Common Ravens.

Justification: Ravens prey on the eggs of the imperiled Greater Sage-Grouse. Yet of 19 reasons for the grouse’s declining numbers, predation by other wildlife comes in at #12. Providing protected areas and requiring sustainable land management are the most important ways to conserve the grouse, not killing avian predators.

Join petition by Golden Eagle Audubon Society:

Sign the petition here.

(via: American Bird Conservancy)

It’s really close, please sign guys!

killing one species to ‘protect’ another is a horrible approach to anything. Have people not learned by now? And how many other animals would this inevitably poison? Ones that would also not only ingest the poison, but the poisoned bird carcasses.

What is wrong with people.

Crows and Ravens hold a sacred position in the Mythos of North America, they should be honored and revered not murdered. 

(via darksilenceinsuburbia)

— 2 days ago with 6015 notes
seaduction:


This reminds me of breakfast club when bender is like NO FUCK YOUUUU

seaduction:

This reminds me of breakfast club when bender is like NO FUCK YOUUUU

(Source: nostalgicpatter)

— 2 days ago with 78699 notes
jocebawse:

these-colours-don-t-run:

msavonelljrose:

yamihime:

natedontfly:

They should make an animated short where Carl is lying in a hospital bed and an eighteen year old Russell walks in.  The room is silent.  Neither one of them talk.  Only slow music plays in the background.  Russell walks up to Carl’s bed and sits next to him.  Carl looks over to Russell and smiles.  Russell is trying to hold back tears.   He reaches into his pocket and pulls out the Soda lid that Carl had pinned on him so many years ago.  He takes the pin and pins it onto Carl’s shirt.  He is almost balling as he says “Thank you Mr. Fredricksen.”  Carl is unable to speak he is so choked up.  All you see is him smile and a tear roll down his cheek.  ”You’re welcome Russell.” He says with a crackle in his voice.  He closes his eyes and the Heart Monitor he is on flat lines.  All you see is Russell crying.  Then there is a flash of light.  Carl stands in front of the light and sees someone coming out of it.  Ellie walks out of the light and goes to Carl.  She holds her secret Adventure Book in her arms.  She writes something in the book.  She then kisses Carl and drops the book.  Ellie takes Carl into the light and they revert back to their child selves and walk hand in hand into the light.  Then it pans to the book which is open to the page Ellie wrote in.  The only words written on the page are “The End.”  And then the screen fades to black.

THAT IS NOT OK

bitch fuck you byee

NO!

brb fucking crying

jocebawse:

these-colours-don-t-run:

msavonelljrose:

yamihime:

natedontfly:

They should make an animated short where Carl is lying in a hospital bed and an eighteen year old Russell walks in.  The room is silent.  Neither one of them talk.  Only slow music plays in the background.  Russell walks up to Carl’s bed and sits next to him.  Carl looks over to Russell and smiles.  Russell is trying to hold back tears.   He reaches into his pocket and pulls out the Soda lid that Carl had pinned on him so many years ago.  He takes the pin and pins it onto Carl’s shirt.  He is almost balling as he says “Thank you Mr. Fredricksen.”  Carl is unable to speak he is so choked up.  All you see is him smile and a tear roll down his cheek.  ”You’re welcome Russell.” He says with a crackle in his voice.  He closes his eyes and the Heart Monitor he is on flat lines.  All you see is Russell crying.  Then there is a flash of light.  Carl stands in front of the light and sees someone coming out of it.  Ellie walks out of the light and goes to Carl.  She holds her secret Adventure Book in her arms.  She writes something in the book.  She then kisses Carl and drops the book.  Ellie takes Carl into the light and they revert back to their child selves and walk hand in hand into the light.  Then it pans to the book which is open to the page Ellie wrote in.  The only words written on the page are “The End.”  And then the screen fades to black.

THAT IS NOT OK

bitch fuck you byee

NO!

brb fucking crying

(Source: agentp-hbu, via apoetstuckintraffic)

— 4 days ago with 41938 notes
amyipaguana:

”Daiitoku Myoo, the Wisdom King of Great Awe-inspiring Power”

amyipaguana:

”Daiitoku Myoo, the Wisdom King of Great Awe-inspiring Power”

(via darksilenceinsuburbia)

— 1 week ago with 898 notes